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Introducing the Machine: Soundtracking Womanhood, Humor, and Rebellion in the Pacific Northwest


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Introducing the Machine carves out space for a powerful voice rarely spotlighted in music - one shaped by experience, sharp wit, and the layered reality of womanhood. Formed in 2023 by Vancouver, Washington-based musicians Sarah Arslanian and Eileen Cowen, the duo brings together a decade of creative collaboration into a project that’s equal parts heart, humor, and rebellion.


With roots in country-folk harmonies and a rock-punk mentality, Introducing the Machine creates original music that delves into disillusionment with societal expectations, the unattainable standards placed on women, and the hilarity of simply being human. Their performances blend genres: original songs, pop and country covers, even the occasional DJ set—with witty banter and thoughtful commentary that turn every show into something more than just a setlist.


A Friendship Decades in the Making

Arslanian and Cowen first connected more than a decade ago over a shared love of harmony and classic female powerhouses like Dolly Parton, Emmylou Harris, and Linda Ronstadt. Though their initial jam session yielded just one song, their creative paths aligned again years later with a renewed purpose: to explore the full scope of womanhood, not in metaphor, but in messy, hilarious, and often heartbreaking detail.


What began as a musical project quickly evolved into something more multidimensional. Introducing the Machine became a platform not just for songs, but for satire, protest, and performance. The name itself sets the tone: any emcee introducing the band must say, “Introducing Introducing the Machine.” It’s a playful disruption that hints at the duo’s layered approach to art and identity.



Music as Medium and Mirror

Described as part concert, part performance art, Introducing the Machine is known for its immersive shows and subversive humor. Their latest record, Independence Day, takes listeners on a conceptual journey—beginning in melancholy and culminating in liberation.

“This album in particular is like, we want to run, but why do we want to run?...Are you running away from something or to something?” The duo says. 


The album blends folk and Americana with layered vocal harmonies, poetic lyrics, and satirical edge. Songs wrestle with grief, menopause, societal invisibility - but it’s not all solemn: the duo often integrates humor into their work, from T-shirt slogans born out of rehearsals to characters who represent oppressive forces (like “Glenn,” their recurring stand-in for the patriarchy).



From Portland’s Shadow, a Scene of Their Own

While Portland often dominates headlines, Vancouver is growing a creative identity all its own—and Introducing the Machine is at the center of it. Signed to the rising indie label Ronald Records, they’re the label’s first act and its only female duo.

“This community has grown in ways that I don't think it really has in a long time. There's a music scene, but there's never really been, like, a kind of a cohesive, rallying point in some ways.”


Beyond the band, both artists are active in local organizing, arts education, and feminist advocacy. Their creative output spans from pop-up art shows in U-Haul trailers to community radio: they host a monthly show called Women of a Certain Age, giving airtime to overlooked perspectives and showcasing women artists across generations.


What’s Next for the Machine?

Following the release of Independence Day, Introducing the Machine will host their album release show this Saturday, July 19th at Full Heart Irish Pub in Vancouver. 

We’re hoping for potential tour plans, with a strong interest in reaching more of the Pacific Northwest, including Spokane and surrounding communiti

es. As the band continues to build bridges between art and activism, local and regional, serious and satirical, one thing is certain: Introducing the Machine isn’t just a band name. It’s a mission.


Follow Introducing the Machine:

  • Instagram @introducing_the_machine

  • Listen to Independence Day on all major platforms

  • Radio Show: Women of a Certain Age 

  • All their links here


 
 
 

Missoula’s newest tradition has officially been born.


The first-ever Zootown Music Festival brought two days of unforgettable music, moments, and Montana magic to the Missoula County Fairgrounds this July 4–5. With a lineup stacked from start to finish — including headliners Hozier and Kacey Musgraves — the inaugural event balanced major star power with local talent and community energy.


We were on the ground all weekend to soak in the sets, talk with artists, and witness what will go down as a pretty killer debut.


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The weekend kicked off with a radiant hometown performance from The Dead and Down, who opened the Trailhead Stage as rain came down hard. But fans didn’t care - they showed up soaked and smiling, and the band fed off that energy.


“There was so much anticipation all morning, and just, not being sure of the weather and getting everything ready...and it's just so nice seeing people still show up,” said Matt of The Dead and Down.


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But come rain or shine, fans weren't letting anything get in their way of embracing the music. Ponchos, rain jackets, umbrella hats - you name it - were seen across the fairgrounds as people danced, jammed out, and celebrated.


Bandmate Taylor reflected on the surreal feeling of being in the moment on a stage like that:


“You're up there and it's sometimes, thinking about every little thing... and then just remembering that, we practice all this, I know it, I'm good, and then when you can let go of that for a second and just kinda close your eyes and just be in the moment... that is beautiful.”

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The magic didn’t stop there. We caught performances from Richy Mitch and the Coal Miners (Lake Missoula in Missoula was yet again, SO MUCH FUN), the groove-heavy La Lom on the Lookout stage, and a thunderous set from Jason Isbell and the 400 Unit, among other incredible performances across both stages.




The rain finally cleared just in time for Hozier to take the stage.

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The Trailhead Stage crowd packed in tight as he delivered a soul-shaking set, blending fan favorites like “Cherry Wine” and “Work Song” with powerful moments of intimacy and intensity. His finale, “Take Me to Church,” echoed into the hills in the Big Sky Country.


Pure magic.


Day two welcomed us with sunshine and high spirits.


Lost Canyons kicked things off on the Lookout Stage - a victory set after winning the festival’s Battle of the Bands earlier this year.


“Being a Montana band and seeing this incredible festival in Montana — means the world to us,” said Kennan of Lost Canyons. “We're just stoked that we're bringing such amazing talent here, and to the region.”


While a lightning delay shortened Stolen Gin’s early set, the NYC-based band kept in good spirits and promised they’d be back to play a longer Montana set soon (we'll be eagerly waiting). The rest of the afternoon flew by with standout performances, including a sun-drenched set from rising songwriter Evan Honer, who would return later in the day for a surprise collab with Mt. Joy.


As golden hour hit, Mt. Joy took the stage and brought Evan Honer back out for an unexpected rendition of “Teenage Dirtbag.” The crowd erupted into a full-on singalong, arms raised and voices hoarse from joy. Between that and the crowd favorites Astrovan, Strangers, and Silver Lining - Mt.Joy brought a set to remember in this beautiful state.

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And then came the closer: Kacey freaking Musgraves!!!


Glittering and graceful as always, Kacey’s set brought the crowd into a dreamy, romantic haze. Singing along to hits like “Golden Hour” and “Slow Burn,” it felt like the most perfect way to end such a high hitting festival. Despite her broken rib, she toughed it out for Missoula and gave it her all. Truly will be a night to remember for ages.

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And as her final song faded out, fireworks burst over the stage — a perfect way to close out Zootown’s debut.


We are so grateful and truly happy we got to expirience Zootown! Aside from the amazing artists, the event staff, secturity, and all organizers involved made this possible, and deserve a major round of applause as well. It truly couldn't have gone better, and thats all thanks to each and every one of the people who helped run the show.


We're already dreaming about next year!


Photos by: Jenna Mitchell Photography

 
 
 

Everything You Need to Know Before Zootown Music Festival 2025


Missoula is about to bring the heat - Zootown Music Festival is coming in hot this July 4 & 5 at the Missoula County Fairgrounds, and the lineup is stacked. With Hozier, Kacey Musgraves, Mt. Joy, Lake Street Dive, and dozens of other national, regional, and local artists on deck, this is a weekend you won't want to miss.


This is the very first Zootown Music Festival, and we couldn’t be more excited to welcome a celebration of this scale to Montana this summer. Whether you're here for the headliners or just soaking up the summer vibes, here’s everything you need to know before you go:

Full lineup and schedule
Full lineup and schedule

Festival Highlights:

  • 2-day outdoor music fest packed with big names and high-energy performances

  • All ages welcome, and kids under 7 get in free!

  • Local food vendors and drinks throughout the fairgrounds

  • No camping on site, but plenty of lodging nearby (hotels, motels, and Airbnbs, plus regular campsites close by if you still want to tent it!)


Getting There:

Map of the Fairgrounds
Map of the Fairgrounds

What to Bring:

  • Sunscreen, sunglasses, and a hat - it’s gonna be hot!

  • Your favorite festival fits

  • A blanket for lounging or rent a lawn chair at the venue

  • Don’t forget to check out our festival essentials guide on Instagram for inspo and a full packing list


🎟️ Tickets are almost gone! Grab yours at www.zootownfestival.com/tickets and make sure you're following @zootownfestival for updates, maps, shuttle info, and more.



Missoula, get ready! We’ll see you in the Zoo.


 
 
 
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© 2025 by Northwest Noise 

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